Before I begin this post, I'd like to state for the record that I do buy new records. I was a member of Vinyl Me, Please and Vinyl Moon. I buy new records from Bandcamp, Discogs, Amazon, and eBay. I also buy new records at local record stores and record shows.
BUT, that's not as fun as scoring used LPs out in the wild, wild, west of thrift. The new and used LPs in record stores, at shows, and online are organized, categorized, and alphabetized. No surprises there.
You never know what you are going to find out in the wild. For every 100 religious records, you might come across one or two interesting specimens. There's a How did you even get here? aspect that is surprising and fun. If the LP is great shape that's an added bonus. I've found pristine LPs that are actually worth 30 times or more than what I paid. There's quite a rush when that happens.
With this mind, I'll explain why I've stopped ignoring scratched up and beat up records.
Usually I'd skip this Shades of Deep Purple LP. The vinyl is visibly scratched. The worn, outer sleeve has splits on the top, side, and bottom. That used to put me off. Now I pause before I flip to the next LP in the box on the bottom of a Goodwill shelf.
I ask myself, Should I give this bad boy a chance?
I also ask myself some other questions to determine an answer: 1) Do I know the artist? 2) What is the artist's genre? 3) What is their style? 4) When was this recorded? 5) What condition is the vinyl in? 6) What condition is the sleeve in?
Notice which questions are last.
Dirt and debris do not deter me. I wet-vacuum clean almost all of my thrift records before I play them. If I see a feel-able scratch or a deep warp, then I'll pass. I hate it when a record skips. I'll also move on if it's covered with a haze of scratches. The rest really is up to chance. Some scratched thrift store LPs sound really good. Others not so much. It's really hard to know just by looking. You have to buy it and test it at home.
Why throw good money at "bad" records?
1) Why not? You're not throwing much. Used LPs around here range from 79 cents to $1.49. People throw more change than that into fountains.
2) You are forcing yourself to focus on one artist and their one statement by buying a scratchy album. You can't fast forward or skip. Limitations can be liberating. There is just too much music out there to absorb. Narrowing your focus sharpens your perceptions.
4) These records were not created by accident. For major releases, there was a small army of people putting their record together. Most didn't put their effort and money into it because they thought it would stink. Independent records have even more loved poured into them because they were a passion project. I like to think that every record has at least one interesting track on it.
5) There's also a chance you'll discover "new" music. Marvin Homes And The Uptights's Ooh Ooh The Dragon and other Monsters came out in 1969. I discovered it almost 50 years later as a scratchy record, and it's one of my favorite finds. I've since purchased a much better copy. I still love my original scratchy one because I listened to it like that for years. Sounds weird, but you get used to the surface noise, and it sometimes revisiting the scratchy one just feels right.
6) You're saving a small piece of musical history. I like to think that I'm giving the record a final chance to fulfill their purpose to entertain someone once again.
7) Used records are a good time. Grab 'em when you can.
Okay. So let's go back to the Shades of Deep Purple LP. I'm familiar with the band ("Smoke on the Water," anyone?), and I checked Discogs to see what their earlier genre and style might be.
Four styles of rock sounds good to me. I took Shades home, cleaned and air-dried it, and put it on the turntable. Man, there are some great songs on this record. I hadn't check the tracklist earlier, and I didn't realize "Hush" was on here. I forgot they even sang that song. I also didn't know they did a slow and brooding version of The Beatles' "Help" or a banger cover of "Hey Joe".
What also stood out was the surprising sound effects. Hush begins with a lonely wolf howling in the night. "One More Rainy Day" begins in a storm, and "Help" inexplicably begins in a B-movie science lab. My favorite effect comes after the last track. When the music for "Hey Joe" ends, you can hear what I assume is a recording engineer say, "That's the one." Then you hear someone else reply, "Right." Then they yawn, stretch, and heavy foot steps travel from one ear to the other (if you're wearing headphones). A squeaky door is opened and then is slammed shut. At that moment the turntable's tone arm raises and slides back to its cradle.
That's how you end a record.
(I find it difficult to photograph record scratches. But holding the LP in sun seems to help.)
And that's the good news. The other news is that side 1 is in decent shape. You can hear clicks and pops in-between the songs, but the music overcomes that. Side 2 is slightly rougher. That's a shame because the static almost overpowers the understated opening to "Help". The music is louder on "Hey Joe", and the noise is masked quite a bit there.
So, I was reminded that "Hush" is a Deep Purple tune, and that they also do two cover songs that I really like. That's worth more than the $1.50 spent for sure. I'm on the lookout for a better copy of Shades, but this does work for now.
These records aren't, though. They're fun.
No comments:
Post a Comment